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sound creation, sounddesign, sound technique
Collaboration with the company Cirqu’en choc
History seems to repeat itself. again. again. Like a circular movement on which we try to advance without ever extracting ourselves. On stage, three artists are looking for a breach in this spiral. They walk on a wire, resist the jolts of the world, seek a new breath.
The show explores our relationship to chaos, to collapse, to memory. The tense bodies, the rubbed strings, the distorted sounds draw an almost physical tension: that of a cracking world. However, in the middle of this agonizing loop, a possibility arises. that of reinventing. to imagine an elsewhere.
Inspired by Drexciya’s Afrofuturist myth, the show transforms historical pain into scenic material. This is not an observation, it is a poetic insurrection. A utopia of resistance. A suspended moment when art becomes an act of survival.
A performative, musical, powerful spectacle. Who questions, who disturbs. And which restores fire in the legs, even when everything is pitching.
https://spot-sion.ch/spectacles/mais-les-homards-du-titanic/
Cirqu’en choc
direction Estelle Samira Borel
performer Makeda Monnet, Antonio Raspanti, Estelle Samira Borel
outside gaze Zorybel Garcia
Dramaturgy Noemi Michel
scenography Sherazade Derme assisted by Floriane Benetti
artistic collaboration Thierry Epiney, David Christelle, Sanvee, Bastien Hippocrates
Musical collaboration Thierry Epiney
Sound creation and sound management Rachel MOREND
Light design Myriam Adjalle
Rolling wire design Yohan Ruchet
Rolling wire engineering Herve Cherblanc
Rolling wire construction Romain Giard
Administration Laura Perez Juarez
Plateau and General management Bastien Alvarez
costume MERENDYS Martine
Support
Canton of Valais
Ville de Sion
Ernst Göhnner Stiftung Foundation
Sis Interpreten Stiftung
Pro Circus & SSA
Partners
Cirqu’en’choc association
Le Spot Sion – Co-production
ZirkusQuartier, Zürich – Pre-purchase
Pro Circus
Zôfy circus school
